Chris Evans to narrate 8-part Nat Geo documentary series

weheartchrisevans:

EW can exclusively reveal some news that will keep fans excited until then: Captain America himself, Chris Evans, will narrate the entire series.

Chain of Command plans to offer an intimate look at the war against violent extremism and the men and women devoting their lives to it.

Above, check out an exclusive clip from the series that not only previews the intensity that will radiate throughout all eight episodes, but showcases Evans in the narrator role as well. The two-and-a-half minute clip also depicts some of the roles of the different ranking officers in the chain of command.

Besides the sheer wow factor of landing a superhero like Evans as the narrator, he seems like a great fit for the gig. In addition to his recurring appearances as Captain America, he has also been a strong advocate for servicemen and servicewomen, serving as a spokesperson for Got Your Six — a nonprofit that works to empower veterans and their families — and participating in a United Service Organizations tour last year.

During the making of Chain of Command, the Pentagon gave National Geographic unprecedented access to people holding a wide range of duties. The documentary features a very rare sitdown with the Chairman of the Joint Chiefs of Staff, Joseph F. Dunford, but also focuses on the ground fight around the world against extremists (including being inside the room during drone strikes).

Chain of Command is set to premiere exclusively on Nat Geo in January 2018.

“Um, honey, I really think for Christmas, we need to get cable again.  There’s a lot of educational programming there I just can’t get on Netflix.”

Chris Evans to narrate 8-part Nat Geo documentary series

Best Tips for Writing Dialogue

yeahwrite:

By Ginny Wiehardt
https://www.thebalance.com/top-tips-for-writing-dialogue-1277070


1. Listen to How People Talk.

Having a sense of natural speech patterns is essential to good dialogue. Start to pay attention to the expressions that people use and the music of everyday conversation. This exercise asks you to do this more formally but, generally speaking, it’s helpful to develop your ear by paying attention to the way people talk. And remember: eavesdropping is not a crime!


2. It’s Not Exactly Like Real Speech.

But dialogue should read like real speech. How do you accomplish that? Alfred Hitchcock said that a good story was “life, with the dull parts taken out.” This very much applies to dialogue. A transcription of a conversation would be completely boring to read. Edit out the filler words and unessential dialogue — that is, the dialogue that doesn’t contribute to the plot in some way. Take out the tangents, stay focused in content but true to speech pattern.

3. Don’t Provide Too Much Info at Once.

It should not be obvious to the reader that they’re being fed important facts. Let the story unfold naturally. You don’t have to tell the reader everything up front, and you can trust him or her to remember details from earlier in the story. Remember that people who know each other leave a lot unsaid. Use exposition, instead, to get important facts across.

4. Break Up Dialogue with Action.

Remind your reader that your characters are physical human beings by grounding their dialogue in the physical world. Physical details also help break up the words on the page: long periods of dialogue are easier for the reader’s eye when broken up by description. (And vice versa, for that matter.) See the link above for examples of how this can work.

5. Don’t Overdo Dialogue Tags.

Veering too much beyond “he said/she said” only draws attention to the tags — and you want the reader’s attention centered on your brilliant dialogue, not your ability to think of synonyms for “said.”

6. Stereotypes, Profanity, and Slang.

Be aware of falling back on stereotypes, and use profanity and slang sparingly. All of these risk distracting or alienating your reader. Anything that takes the reader out of the fictional world you’re working so hard to create is not your friend. Read some examples of how to achieve the tone you want without stereotypes, profanity, and slang.

7. Read Widely.

Pay attention to why things work or don’t work. Where are you taken out of the story’s action? Where did you stop believing in a character? Or, alternatively, when did the character really jump off the page, and how did dialogue help accomplish that? You can start reading like a writer with the link above, or pick up an anthology and start your own list of writers to learn from.

8. Punctuate Dialogue Correctly.

The rules for punctuating dialogue can be confusing: many writers need help getting them right in the beginning. Take some time to learn the basics. A reader should get lost in your prose — not feel lost trying to follow your dialogue.

#4 is the biggest sin I encounter as a beta.  SHOW what the characters are doing while they talk; while they listen…  And for God’s sake, use contractions!

Best Tips for Writing Dialogue

HOW TO GET PUBLISHED

thewife101:

I just love her. She’s entertaining and motivating and British and I love her. I watch this whenever I’m feeling low about my works and when I have writer’s block and I thank her for giving me personal motivation for doing what I love. She’s brilliant. Just watch this cute woman tell you how to get published. Because it’ll make you smile and laugh and feel good you’re doing what she is.

So much love for Alice!  Her twitter is adorable!

HOW TO GET PUBLISHED